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Tomita debussy sound 2000


At the beginning of the twentieth century the "cosmic principles" that traversed the expanse of history were no longer considered eternal or immutable. Subsequently the idea of transient artistic standards lacking ethical underpinnings became, in part, the basis of Arnold Schoenberg 's explorations into serial techniques and the resulting "emancipation of dissonace." For the advocates of atonal serialism the Platonic concept of value in art being the result of the union of beauty, truth and goodness was viewed as a quaint vestige of a bygone era.

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 · Twentieth century music brought new freedom and wide experimentation with new musical styles and forms that challenged the accepted rules of music of ...

F/I: Space Mantra  (Sorcerer) LP
Sorcerer Records present a reissue of F/i’s Space Mantra, originally released on RRRecords in 1988. First time on vinyl for nearly 30 years for this classic slice of American space rock. Milwaukee’s F/i have been an ongoing concern since 1981, pioneering a certain brand of experimental rock which encompasses elements of industrial and psychedelic space-rock sounds. Originally a purely electronic outfit heavily influenced by Throbbing Gristle and prolific in the underground tape scene, they made the transition to “rock band” in the mid ’80s, and for many, 1988’s Space Mantra LP remains the high point. With fuzzed guitars, metronomic rhythms, swirling synths, and occasionally bucolic forays into blissful acoustics, it’s a masterful take on cosmic music during the Reagan years. It was previously only ever released on LP once by the famed RRRecords label. RIYL: Hawkwind, Amon Düül, Causa Sui, Cluster. Edition of 500.

It was recorded by Pedro Aznar on his homonymous album (1982), in which he made use of synthesizers instead of acoustic instruments. Some unusual interpretations include another electronic versions by William Orbit in Pieces in a Modern Style (2000) and by Isao Tomita (1979), Edgar Meyer recorded a version for double bass and piano on his CD "Work in Progress" (1990), [16] a solo bass guitar version by Jimmy Earl (1995), Ali Aiman's minimalist/electronic adaptation in his Overture EP (2014) and Hayley Westenra 's vocal adaptation "Never Say Goodbye", which appears in her album Pure (2004). [17]

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