The photographs are all sizes. Some are obviously older photographs. Not one photograph is labeled! Who are the individuals in the photographs? Are the individuals family members? Most likely, but if not, the photograph was obviously treasured to have been kept throughout the years. Identifying individuals in the photographs is possible.
The tintype had a copper frame and was housed in an embossed leather case with red velvet liner. It was copied from the Hesler photograph taken in June All versions known are paper photographs.
The Cased Images and Tintypes KwikGuide is a detailed and clear source of identification tips and photo dating information for daguerreotypes, ambrotypes, and tintypes. This is an indispensable reference tool for genealogists, family historians, and photo collectors who are conducting research on vintage 19th century photographs.
Pearce’s Algonquin Bon Ton Tent. A wonderful early advertising piece for the traveling photographer tent of W. Cheney tintype photo below. An Article on Tintype Photographs by Debra Clifford, Ancestorville The tintype, also known as “melainotype” or “ferrotype”, was a real workhorse in early photography. The least expensive in their day, and the most common of all antique photographs to be found at flea markets and antique shops, tintypes are rarely identified with family names.
The slick surface, of dark black or “chocolate” colored varnished iron, does not lend itself to handwriting with dip pen ink nor pencil, the prevalent writing tools of the time.
3 Ways to Date Old Photographs
Abstract The tintype is one of the ubiquitous forms of photography which has for the most part recorded the existence of the common person. A process first introduced in the mid s, it is still in occasional use today. These collodion and later gelatin-based images on thin, blackened, iron sheets were customarily sent through the mail to sweethearts and family. Though popularly called “tintypes” they were never made on tin. This paper reviews the fascinating history of tintypes, and describes how to identify them.
Real Photo Postcards KwikGuide is a fun guide to the popular postcards in the early 20th century. This guide is required reading for genealogists, family historians, postcard collectors, and .
Process[ edit ] One side of a clean glass plate was coated with a thin layer of iodized collodion , then dipped in a silver nitrate solution. The plate was exposed in the camera while still wet. Exposure times varied from five to sixty seconds or more depending on the brightness of the lighting and the speed of the camera lens. The plate was then developed and fixed. The resulting negative , when viewed by reflected light against a black background, appears to be a positive image: This effect was integrated by backing the plate with black velvet; by taking the picture on a plate made of dark reddish-colored glass the result was called a ruby ambrotype ; or by coating one side of the plate with black varnish.
Either the emulsion side or the bare side could be coated: In either case, another plate of glass was put over the fragile emulsion side to protect it, and the whole was mounted in a metal frame and kept in a protective case. In some instances the protective glass was cemented directly to the emulsion, generally with a balsam resin. This protected the image well but tended to darken it.
Antique Photo Albums with Tintypes, Cabinet Cards and Cartes de Visite : EBTH
Now Glassybaby, known for their votive candles. Introduced me to so many things It was the perfect mix of dingy atmosphere, heavily pierced and tattooed, up-tight workers, and comfort. During the mid s it began to host all-ages punk rock shows pretty regularly. It wasn’t a very big space and it seemed like sometimes twice as many people were hanging out outside than could fit in the actual room where the bands played.
Since I lived in the U-District just a few blocks away, I loved going to shows here.
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The photographs provide a rich pictorial history of the growth and development of Stamford; its people, industries, government, and communities. The collection embraces visual images in a wide variety of formats. In addition to early and modern prints, there are daguerreotypes, tintypes, ambrotypes, stereographs, postcards, carte de visite and cabinet cards, films and glass plate negatives, and 35 mm slides. The diversity of collection has made it an excellent resource for researchers, historians, educators, publishers, students, authors, film makers, graphic designers, interior decorators, businesses, and others.
The Photo Archives have a long history of voluteers. Chet was instrumental in organizing the photo collection when the Society moved into the current headquarters. The Photo Archivist’s Selection of the Month is an ongoing online feature! Volunteering The Department is currently without an archivist or assistant archivist and help is urgently needed! Contributions to the Collection The collection has grown out of generous donations from local families and photographers, and continues to grow as new contributions are made.
New contributions are accepted gratefully, but selectively.
David K. Parks, Civil War, Relics, Memorabilia, Images, CDV, Tinty
California’s Untold Stories This site presents a virtual tour of the Oakland Museum of California’s Gold Rush exhibition, including sections on art, natives and immigrants, a quiz, and curriculum materials for educators. The exhibit includes photographs, artifacts, primary documents, audio files some in Chinese , and maps. Includes links to articles about ships buried in landfill, and a local history treatise about a “Californio” family:
Dating the clothing in the photo puts this image’s date around to Scanned with scanner defaults A tintype is a very underexposed negative that is on top of a black varnish finish.
Haere mai ki te whare tapu a Patuone! Welcome to the sacred house of Patuone! Ko te whaiti a Ripia! We are the small band of Ripia! By any measure, Patuone had an extraordinary life. By the time of his death, Patuone had outlived all the old and major rangatira chiefs of the land.
How to Preserve Old Photo
While digital photography offers precision, efficiency and choice, Horst finds that the 19 century technique of tintype photography offers depth and beauty in portraits found nowhere else. It is with this in mind that Horst turned his skills towards tintype portraiture. Portrait session at Fulton House Studio, Dating back to the s, tintype photography is a process that captures an image directly onto an enamelled metal plate.
Using chemistry recipes that are more than years old and developed by hand, these images make for a distinctive portrait of any subject. Each tintype is one of a kind, and cannot be duplicated.
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A tintype or ferrotype was an early form of photograph. It dates back to the s, and many Civil War era images were done on tintype. In essence the photographer took a piece of metal i. The camera would expose that chemical, some would turn black, and you had a relatively fuzzy black and silver image as a result. The problem is that the chemicals decay over time, the metal itself decays, and things like fingerprints can cause serious damage. Paper images became very popular in the s, so this also means that most tintypes we are trying to take care of in modern times are quite old.
Basic Storage Tintypes are extremely succeptable to damage.
19th Century Photographs
Please Contact Us for availability If you know a book to be out of print and you still see it here please know that we will not be able to get it for you. No rush orders on books since many are special order. A sourcebook for the stage costumer by drawings, photos and text covering all types of costume and accessories.
Over 40 years ago, Augusta began as a craft and folklore program with an emphasis on traditional Appalachian culture. Today, week-long craft and folklore workshops are offered throughout the summer session alongside music and dance workshops, concerts, public dances, and special presentations that cover the history and literature of many traditions.
Samantha 29 comments Myth: Bonny is actually another alias of Billy the Kid, used during the height of his notoriety, but it is not generally considered his real name. Throughout his life, several different names were associated with this 19th century outlaw and gunman, including: William Henry McCarty, Jr. Billy the Kid — In , during the final year of his life, newspaper reporters and dime novelists, who often embellished stories about the young outlaw, started referring to him as Billy the Kid.
Billy, of course, was used as a nickname for William. Throughout his life, in his pursuit to earn a living, Henry worked in a butcher shop and in a hotel where he washed dishes and waited tables. He also earned money as a ranch hand, gambler, horse thief, and outlaw. Based on the only known photo of Billy the Kid, most people thought he was left-handed because his gun was positioned on his left side. Only after discovering that the photo was actually a reversed image, did people realize he was right-handed.
Despite being known as a cold-blooded killer with a short and violent temper, McCarty was reportedly widely liked by those who knew him. He supposedly had a laid-back attitude and a great sense of humor. Henry was often targeted for bullying because of his slender build. Billy the Kid was known to use the Colt single action.